Ghostspeaker Chronicles 1. Innocence Lost

Innocence Lost by Patty Jansen

Innocence Lost is book 1 in the Ghostspeaker Chronicles series

She wanted to run her father’s business. She got a mad prince, demons, ghosts and a kingdom in debt.

As the only child of a successful merchant, Johanna has her wits and a sense for business.

The royal family is in deep trouble: ever since the crown princess died of illness, the king has attempted to educate his son to become king. However, the prince is “not good in the head” and quite unsuited to the task. In his grief for his daughter, the king has run the coffers dry: he hired dubious magicians for even more dubious tasks. Those magicians circle like vultures waiting for the kingdom to fail. The king must get his son on the throne, preferably supported by a smart and well-off wife.

He holds a ball in his son’s honour. Johanna has agreed to a dance. But the guests include a number of magicians who are not there for the festivities.

Praise for Innocence Lost

“I really started to feel for Johanna when she went on the run, because she had to deal with devastation wherever she went, and it took a toll on her. She’s also looked at as the leader of her little ragtag group (3 other people, including a strange friend, Loesie, who can only make sounds instead of regular words), something that wears on her as well. It was all so sad, yet Johanna managed to stay strong, which I really admired. There’s sort of a twist near the end of this book which had me chuckling which helped to relieve some of the sadness that came just before. Of course, it ended in a way that leads into the next book, though you’ll have to read this one to understand what I’m talking about. :-). –Amazon Reviewer”

“OMG, I can’t wait to read book two as I could not stop reading this book!! –Amazon Reviewer”

Ebook Links to Retailers


Snippet from the book:

An unfamiliar coat hung on the stand. A man’s coat. Black. A very finely-made one with a very small pin on the coat’s collar: the rooster, the symbol of the Carmine House.


What in all of heaven’s name would Father have to say to the royal family?


In the stairwell, on the landing halfway between the ground floor and the second floor, was a little door that led into a low-ceilinged storeroom that had been built between the floors. The servants used this to store items of furniture that they didn’t use anymore, or spare plates or tableware that didn’t fit in the cupboards. This room was directly above Father’s office.
Johanna paused at the stairs, looking carefully if anyone could see her. Then she opened the door quietly, went in and shut it again so that it became dark and stuffy inside. In the little cupboard-like space, she wriggled off her shoes and carried them in her hand while she very slowly climbed up the couple of steps to the room. The steps were odd, at an angle, and uneven. They were made of rough wood that creaked badly unless you were very careful and very slow.


The storeroom was barely tall enough for her to stand in. Father would have to bend his head to avoid hitting it on the ceiling beams. There was a window in the far wall. Half of it vanished below the floor and the bottom part of it was the window in Father’s study below. The light that shone through silvered items of furniture covered with sheets and various boxes and crates. One of them had Estlander writing on it. It had belonged to Johanna’s mother, Lady Sara Aroden, a minor duchess of the Estlander court.


The sound of father’s voice drifted up through the floorboards. Johanna sank to her knees, trying to make not the slightest of sounds, and put her ear to the floor. It was very dusty.


Father was speaking. “. . . We can provide loans, certainly. But I don’t know that we have the capacity to do what you ask.”

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